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A review of Fall on Your Knees

by Ann-Marie Macdonald

The epic story of four generations of the Piper family from their remote home in Cape Breton, Canada to the roaring twenties in Harlem.

Reviewed by: A.F. Morrow
About A.F. Morrow

Fall on Your Knees From the first sentence; "They're all dead now", this book is different from other novels in the 'epic family genre'. It's not historical fiction, although the impact of WWI, the depression, and in particular prohibition, are considerable. Nor is it romantic fiction: although characters indulge in wistful crushes and fervent religious sentiments of virtue, the Piper's romances range from unlikely to disastrous. The story begins in the section aptly titled 'The Garden', where Gaelic-speaking piano tuner James Piper succumbs to temptation and elopes with beautiful Materia Mahmoud, the 13-year-old daughter of wealthy Lebanese immigrants. In his mother tongue, the piano tuner sings the Song of Songs to his child bride, prophetically, '...a garden inclosed is my sister, a spring shut up, a fountain sealed'. Materia replies in her mother tongue 'Habibi, BeHebak', and it is clear very quickly that the lovers will never speak the same language and that James' love for Materia has made of her 'a spring shut up'. Her family disowns her, and with the birth of each of her daughters, Materia retreats further into her memories, kneeling in reverie beside her cedar-lined hope chest for hours.

Steeped in biblical reference and the messy realities of our diverse twentieth century world, "Fall On Your Knees" deals with the vagaries and paradoxes of class and race, family love and hate, and the lies that we tell ourselves in order to survive. The complexities are everywhere: the Mahmouds do not consider themselves 'non-whites', but the domestics working in the Mahmoud household know differently; and many of the servants and coal miners in town readily whisper the family secrets that James Piper is desperately eager to squelch.

It is this willingness to speak the truth that separates the haves from the have-nots in the world of the Pipers. Those who speak their minds and wishes retain their soul, while those who don't pay a high price. The black maid Theresa, who bathes the elderly Mr. Mahmoud and cooks Egyptian delicacies better than any of his daughters is unjustly cast out for stealing: yet Mr. Mahmoud yearns for her and refuses to call her back. The virtuous Mercedes Piper, the quinntessential 'good daughter', is a paragon of Catholic virtue, yet acts in a manner diametretically opposed to the goodness she often espouses. (To describe Mercedes' foibles would reveal one of the many delicious plot surprises.)

Confession, ultimately, is the driving force here. MacDonald has fashioned a compelling web of characters, each of whom possesses a personality shaped in some way by the ill-fated union of James and Materia. Had James considered the consequences of removing young Materia from her family, he might not have run off with her. Yet he blames Materia for the loveless state of their marriage in subsequent years. In a crowd of characters who may not be what they seem, James is the most guilty of self-deception: he sees himself as a successful man yet in each phase of his life; as a piano tuner, decorated soldier, coal mining scab, and bootlegger, he moves further from his desire to be a loving father and closer to the isolation and guilt-ridden weeping that he abhors in Materia.

The message is simple; speak the truth with humility, lest the gods visit the sins of the fathers upon the children. The only redeeming quality that the Piper family of Cape Breton island have is the abiding love and faith that James' daughters Kathleen, Frances, Mercedes, and Lily have in each other.

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Copyright © by A.F. Morrow, 2002

Reviewed by A.F. Morrow:
-- Fall on Your Knees - by Ann-Marie Macdonald
-- October Sky, originally published as Rocket Boys - by Homer H. Hickam, Jr.
-- I Know This Much Is True - by Wally Lamb
-- Mrs. Dalloway - by Virginia Woolf
-- My Dream of You - by Nuala O'Faolain






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